R.I.P. – director Bernardo Bertolucci, age 77

Bernardo Bertolucci obituary.

His contributions to cinema, great as they are, pale in comparison to his contributions to cinema nudity.

Yes, he directed 21 feature films and won Oscars as both a writer and director.

But the name of this blog is not Other Great Stuff. I’ll leave the encomiums to the experts, like Marty Scorsese.

From our perspective, he’s the one who directed Eva Green in The Dreamers and Maria Schneider in Last Tango in Paris. He’s the one who got a young Thandie Newton naked in Besieged and even got Debra Winger to strip in The Sheltering Sky. He managed to film nude scenes from Liv Tyler and Rachel Weisz in the same film (Stealing Beauty). And that list only scratches the surface. There’s Stefania Sandrelli, Dominique Sanda …

We owe him so much.

Enough to forgive him for Little Buddha.

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UPDATE from the comment section:

The death of Nicolas Roeg should also be noted. He gave us Jenny Agutter in Walkabout, Amanda Donohoe in Castaway, the classic sex scene in Don’t Look Now, and one of the most memorable nude classics in Full Body Massage. The Man Who Fell to Earth had some memorable nudity as well. He was married to Theresa Russell and she was naked in Bad Timing. Oh yeah, he was also one of the most interesting and innovative filmmakers of all-time, though I don’t know how much I actually enjoyed his work.

Trivia: He was second-unit cinematographer on Lawrence of Arabia. He’s the second 90+ year old crew member on that film to die this year after editor Anne V. Coates passed in May.

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Scoop’s note:

I didn’t know how to eulogize Nic Roeg without breaking the rule about speaking ill, which is to say honestly, of the recently deceased. Roeg was a perfect illustration of the Peter Principle. He was a wonderful cinematographer, who reached his level of incompetence as a director. He had absolutely no sense of narrative or pacing, although his films always looked great because of his cinematographer’s eye. In fact, he took the rare split roles of director/cinematographer in Walkabout.

In all of his years in the film industry he was never nominated for an Oscar, and was only nominated for three BAFTAs, two of which were for cinematography. He lost all three times. To be fair, he perhaps should have received an Oscar nomination for his outstanding cinematography in Far From the Madding Crowd.

He did win the prestigious Lifetime Achievement Award from the “Transilvania Film Society,” so we know he was huge in the vampire set! (Wikipedia says “Transilvania” is the Romanian spelling.)

Too soon?

As the commenter noted, there’s no disputing his contribution to screen nudity, and thanks to the internet, we don’t actually have to watch any of his boring and poorly edited movies to see the nude scenes. So, Nic, thanks for the mammaries.

5 thoughts on “R.I.P. – director Bernardo Bertolucci, age 77

  1. Disagree completely about “Don’t Look Now”…not a chance of falling asleep. I did fall asleep during “Wonder Woman “ though.

    1. The difference between those two movies: I despised Don’t Look Now, but can still remember it after many years. I kind of enjoyed Wonder Woman, but can’t remember one thing about it. So Roeg had something going for ‘im.

      I suppose infamy is a form of genius.

  2. He came up with some good scenes, but never made a good movie. The second half of The Man Who Fell to Earth is just awful, although it had a good start. Granted, the studios took the film out of Roeg’s hands and trimmed it by 22 minutes for theatrical release, but neither version makes much sense in the second half.

    As for Don’t Look Now, two words: evil dwarf.

    Some day, the limits of human endurance will be tested by seeing if anyone can stay awake during a Nick Roeg film festival. I think it would even put Terrence Malick to sleep.

    Unfortunately for Roeg, there is more to the motion picture industry than pictures in motion. The man had no idea how to put those images together without creating a snoozefest. The final edits always included several scenes which did nothing to advance the plot and could easily have been cut. The scenes that belonged in the films went on way too long, thus sapping the dramatic tension out of every situation. Sometimes, two scenes were intercut for no apparent purpose, instead of just letting them play out logically and separately.

    You could take the footage in Don’t Look Now and create a solid one-hour episode of Alfred Hitchcock Presents. Unfortunately, Roeg took that hour’s worth of plot and entertainment and stretched it out over a much longer time. I fell asleep twice during that film, and I wasn’t tired. It is two hours of complete boredom, with scene after scene outlasting its welcome. I held on just because I wanted to see the “mystery” explained.

    And then …

    It turns out that the explanation is absolutely ludicrous.

  3. Gotta disagree about Roeg. He was making his own types of films, so they didn’t go by a standard pace…but he was far from incompetent. Don’t Look Now is stone cold great, and there’s scenes in Man Who Fell to Earth are amazing even today.

  4. The death of Nicolas Roeg should also be noted. He gave us Jenny Agutter in Walkabout, Amanda Donohoe in Castaway, the classic sex scene in Don’t Look Now, and one of the most memorable nude classics in Full Body Massage. The Man Who Fell to Earth had some memorable nudity as well. He was married to Theresa Russell and she was naked in Bad Timing. Oh yeah, he was also one of the most interesting and innovative filmmakers of all-time, though I don’t know how much I actually enjoyed his work.

    Trivia: He was second-unit cinematographer on Lawrence of Arabia. He’s the second 90+ year old crew member on that film to die this year after editor Anne V. Coates passed in May.

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