Petite, 19-year-old Linnea Quigley dances up a storm while stark naked in Auditions (1978)

I had never seen this particular scene before today, but dancing naked was kind of her signature move. She did it in the sensitive film treasure, Psycho From Texas:

And her most famous such scene was the legendary tombstone boogie in The Return of the Living Dead.

View results.

It’s obvious from the seemingly random results that we are simply not familiar with what these women look like now. As one commenter noted, it is entirely possible that Jane Asher and Jaclyn Smith should finish 1-2, yet Smith finished low, and Asher last!

I will have to re-do this poll with pictures. I don’t have time to assemble that right now, but I’ll get to it soon.

I wish I was joking. I’m not.

The president’s lawyer Alan Dershowitz argued that any action to aid re-election could be considered in the nation’s interest and therefore cannot be impeachable.

In essence, per Dershowitz, the President could start a war under false pretenses to improve his election chances, solicit foreign interference in an election, have his opponent falsely arrested and imprisoned or even cancel the election – and it would not warrant removal from office.

All comments by Brainscan:

Today’s contribution includes several scenes with a camera that panned the surface of a female star, the simplest of which were of Solene Rigot in Orpheline (2016).

image host

 

image host

The scenes with Oksana Akinshina in Stilyagi (2008),

image host

Sarah Crawford in Threat of Exposure (2002)

image host

and Stefanie Stppenbeck in Niemand ist eine Insel (2011)

image host

offered unusual challenges well beyond my Photoshop skills. Her co-star’s movement in the Oksana scene makes him look like an alien when all was said and done, even though she looks wonderful; Sarah’s scene (her only one, according to IMDb) was shot through a lace curtain, which played hell with the outcome. Stefanie’s scene was shot with a rapidly moving camera; the result was an in-focus shot of her face but everything else warped by motion blur. Too bad, ‘cuz she is a true MILF.

In addition to those, I stitched together frames for the third of the Brigitte Woellner images from Strike Back (1981). IMDb says this was her only appearance on screen and that seems a tragedy of the first magnitude.

image host

image host

image host

and both of Linnea Quigley’s from Deadly Embrace (1989).

image host

 

image host

The first of Linnea’s collages may not look as though it was pieced together from several frames but that scene was shot with a lighting source that moved from lower left to upper right, which means each of the twelve parts of that collage was, itself, a montage of three or four frames. Took me an age to complete.