This is Maggie Gyllenhaal’s gonzo 1930s take on The Bride of Frankenstein. Maggie wrote and directed.

The quality of this telesynch copy is mediocre, so I can’t tell whether her bra was a see-thru. She did have a sex scene with Christian Bale where they were theoretically nipple-to-nipple (see below), for what it’s worth. I think it is really Jessie. Both Bale and Buckley went so far over-the-top in this film that they came full circle, finishing back below the top again.

The critic’s scores finish somewhere in the middle, making it appear to be a film that people are indifferent to.

Metacritic: 55
Tomato Meter: 57%
Popcorn Meter: 72%
IMDb: 5.9

Those are the kinds of scores you might expect from a safe, middling rom-com. That apparent mediocrity is misleading. It is not safe, and people were not indifferent. Many critics loved it, many hated it. It’s that kind of movie. It’s just way out there, a work of wild imagination, and not a little unhinged.

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Jessie Buckley’s previous nude scenes

Biopic. Depicts Ann Lee’s attempt to establish a utopian society, and pictures the Shakers’ worship through song and dance, based on real events. Amanda Seyfried did her own singing for the role.

Per Wikipedia:

Ann Lee, commonly known as Mother Ann Lee, was a founding leader of the Shakers, later changed to United Society of Believers in Christ’s Second Appearing following her death. She was born during a time of the Evangelical revival in England, and became a figure that greatly influenced religion at this time, especially in the Americas.

What it basically boils down to is that being a member if their religion is like being trapped permanently in a road show production of “Mamma Mia,” which is potentially the scariest possible episode of The Twilight Zone.

By 1920, there were only 12 Shaker communities remaining in the United States. As of 2019, there was only one active Shaker village: Sabbathday Lake Shaker Village, in Maine, which is nearly as old as America itself. As of August 2025, there were three members. (The number had fallen to two, but they picked up a convert!)

It’s not surprising the religion disappeared, since they believe in celibacy. They produce no children, so existing members die off without passing the faith to any offspring (although they did adopt children), and their rustic, asexual life attracts few converts in the modern world.

IMDb: 7.0
Metacritic: 80
Rotten Tomatoes: 86%
Popcorn Meter: 82%
Ananda Seyfried was nominated for a Golden Globe.

Amanda Seyfried divulged that she wore a merkin and a “prosthetic butthole” for the nude scenes.

This movie, it needed to be graphic. So, like, I had a prosthetic butthole. I felt so free.

I would appear that she also used a prosthetic breast for the feeding scene, and prosthetic genitalia for the birthing scene. There was also some real nudity in there somewhere.

Videos here

1. “Janet Ormes showing off her big natural tits in the 1970s.” (She shows a lot more than that!)

2. “Lake Bell Cleavage at the 2026 Fifteen Percent Pledge Fundraising Gala!”

Chappell Roan at the McQueen show at Paris Fashion Week.

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It was a disappointing week. Apart from Grazi wading topless in a swimming scene, there’s geriatric nudity, and one breast on a corpse.

Videos here

The previous episodes have been a tremendous source of nudity

Obscure Italian fantasy film.

It’s night, a little girl runs in the woods. The noise of the earth and of the breaking branches under her feet accompanies a labored breathing towards the only safe place, in the arms of nature. Maia is now a young woman, her hair and blood are naturally green and an inexplicable attraction leads her insistently to seek contact with nature, trees, flowers. This is also the world of Teo, who with her shyness and the secrets of her greenhouse will stay close to her and help her face the abandonment of her human form to become Nature herself. An understanding made of friendship, understanding, attraction, where the meeting between the human and vegetal forms is perhaps the true love that neither of them has known.

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Drama from Argentina: Original title: Tesis sobre una domesticación

A successful transgender actress and her lawyer husband decide to adopt a child, defying the conservative community in Argentina. But their attempt for a domestic happiness is thwarted when they visit the actress’s hometown.

With three- and four-minute sex scenes, this drama walks a tightrope of legitimacy, always threatening to fall into the exploitation pit, but always avoiding the full stumble. Since the scenes are so dark and the actress, a biological male who co-also wrote the film, has zero percent of the original factory equipment, I had little enthusiasm.

I don’t think I’m transphobic, and I don’t think you should judge a person by the people they want to have sex with.

Except Tom Arnold, of course.

But I’m just not interested. I suppose your mileage may vary, so the videos are below. You can decide for yourself.

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