Sophie Mudd making her white t-shirt wet and see-through in the shower which is giving us some pretty good glimpses at her elusive nipples!

Model and punk rock singer Gabbriette showing a hint of nipple when wearing a lace blouse to the H&M Elie Saab | VIP Step & Repeat in Paris on September 28, 2026!

Full Gallery

Low-budget thriller from the USA. Mimi Rogers plays a supporting role.

4.2 at IMDb

As a series of perverse scam calls unsettles an idyllic retirement community, a starry-eyed nurse becomes entangled with her mysterious patient.

Technically, there is no nudity at all, but she wore a transparent bra.

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Los Ilusos 13 + 13 (AKA The Wishful Thinkers 13 + 13 or The Deluded Ones 13 + 13) is a Spanish independent drama film directed and written by Jonás Trueba. It is an experimental new version of his foundational 2013 black-and-white film, Los Ilusos.

The equation in the title represents a time-jump: 13 signifies the original film’s release year (2013), and the second +13 marks the thirteen years that passed until this new version was finalized and released in 2026.

The film is an intimate, meta-cinematic portrait of a group of young filmmakers in Madrid. Rather than focusing on the actual production of a movie, it captures what artists do when they are not making movies. The narrative follows their daily routines, including:
• Wasting time, routine conversations, and drinking sessions
• Wandering the streets of Madrid after leaving a cinema
• Falling in love, experiencing loneliness, and hanging out with friends
Ultimately, the characters are drifting through life, gathering experiences, and organically building future memories for a future film.

While the original 2013 film was released strictly in black and white, Los ilusos 13 + 13 incorporates the original, previously unreleased color footage from the initial shoot. Instead of choosing one format over the other, Trueba allows the black-and-white and color materials to coexist and dialogue with each other. This makes the 2026 version feel more luminous, less solemn, and deeply reflective of the passing of time and the shifting moods of the creative process.

This is not a high-tech studio picture. The lighting and camera work are sub-standard, and the images are grainy.

That makes is a good candidate for an AI make-over

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From the comment section:

You can do the same (AI) with videos too. Here are some I did for c-top forum.

Posting vids in bulk like this is against dumping rules there, so don’t really have anywhere to share.

Scoop’s note: there is a tremendous amount of work here. It takes a lot of time to trim and crop the videos so they are small enough to be handled by a reasonable amount of processing power. It then requires patience, and sometimes multiple iterations, to create the videos. I have done a few, as you have seen, for Die My Love and Lawless, but nothing like what “129loopback” has done here. In each case he has posted the original video and the AI enhancement, thus allowing you to see the changes.

Here is what it in his ZIP file:

• Simone Bucio in The Untamed (2016)
• Episode 1 of Alphonse
• Episode 2 of Altered Carbon
• Episode 3 of Bella Germania
• Rollergirl in Boogie Nights (1997)
• Episode 2 of Feria: The Darkest Night
• Episode 6 of Feria: The Darkest Night
• Jamie Grey Hyder in True Blood, s6e1
• Veronica Echegui in Me estas matando, Susana (2016)
• Room in Rome (2010)

Dakota with her ass hanging out in public? I didn’t see that coming! She’s not wearing a lot of underwear. And while I couldn’t see any nipples, her breasts are fully visible.

(Dakota & Elle Fanning arriving to the Academy Museum Gala – 10/17/26)

More here

I don’t know how she did it, but as she approaches 50, she somehow looks better than when she was young – and by a significant multiple!

Micro-budget horror film from the USA.

Vick and Tarstar are shooting their latest horror movie trash epic, Scarecrowed, with a cast and crew of punks, drug addicts, fetish models, and dumpster divers. Set back with extra hairy relationship drama, homelessness, lack of funding, and their crew members quitting, Vick and Tarstar just want to tell their story: With the right bucket, you too can buy your own hair cutting scarecrow made by the animatronic Goo Guys at the Scarecrow Factory.

Tina has been around the block a few times in a film career that began in 1994. She’s in her mid 50s now, and heavier, but still game to remove her shirt.

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British drama directed by John Schlesinger.

• Nominated for four Oscars including Best Director.
• 6.9 at IMDb.
• 83% Tomatometer.
• 70% Popcornmeter.

The emotional intricacies of a polyamorous relationship between young artist Bob and his two lovers: a lonely male doctor and a frustrated female office worker.

New 1080hd videos from Aesthete.

We have discussed these shots at length. I still don’t know the original source, but let’s assume for a moment that they are real. (I think they probably are.) The quality is poor, so I asked AI to take a shot at them, as per a request in the comments. I don’t think the results were especially good. As you may recall, Elizabeth’s face wasn’t as beautiful in 1988 as she would become later, once she learned what to do with her heavy eyebrows. AI has an inclination to please and beautify, even when you tell it not to, so it tried to make her face prettier than it really was in those days. This created a situation where the images were far from our expectations because:

1. 1988 Liz Hurley did not look like mature Liz Hurley.
2. The AI images of 1988 Liz Hurley don’t look exactly like real 1988 Liz Hurley.

As a result the images are kind of “third generation” from what we expect her to look like.

For what it is worth, here are the results:

Obviously, the originals are on the left.

Just out of curiosity, I asked AI to re-create what the movie frame would have looked like. It is quite good at this sort of thing, and it created a gorgeous image, but still doesn’t convince me that we are looking at La Liz.

For reference, here is what Elizabeth really looked like in that era: