Uncle Scoopy's world-weary musings about naked celebrities, sports, humor and other important, manly things.
Three best friends from college face eviction in London. As they scatter across the city, they navigate friendship, dating disasters, and adulting – all while the world crumbles around them.
IMDb calls this series a comedy, but I watched all six episodes without laughing. It’s just the usual blah-blah about relationships.
Nothing to see here. There is a brief peek at her pubes. There is some better nudity in later episodes (but not much better). I’ll get to that in a bit.
The scenes take place inside a strip club.
The only credited stripper is Ainy Medina
You can see the other strippers in the videos.
Musician and actress Rivkah Reyes got famous very young from her role in the movie “School of Rock” and then she continued her career as a singer mostly.
She is now on OF posting nudes and masturbation videos.
As the good lord intended.
Brooks Nader wearing a see-through top, among other things, in the Fall 2026 issue of 72 magazine!
That backshot of Brooks sitting on the back of a motorcycle in a red swimsuit is drool worthy!
Teaser:
Berlin’s Elke Schletz was a true pioneer. As Elke Sommer, she did nude scenes in the early 60s, even in 1961 and 1962, when she was the only game in town. Her 1963 nude scene in Seduction by the Sea was arguably the nude scene of the year, since it included a distant full frontal, but it would not have won our hypothetical poll for that honor since Jayne Mansfield was better known. One nude scene, possibly her best, is lost. There was a European version of The Victors in which she did full rear nudity and exposed her pubic area in a scene with George Hamilton. That was in 1964. Unfortunately, nothing remains of that version except a couple of stills. No print is known to exist. Such a shame! She appears in a bra and jeans for the American version.
If our annual poll had existed at the time, and if the Euro version of The Victors were available to view, Elke would have been at or near the top in every single year, 1961-1964. She did additional nude scenes through 1979 and posed for Playboy (not pictured below) in 1967 and 1970.
1961 – Daniella by Night
1962 – Sweet Ecstasy, AKA Sweet Violence
1963 – Seduction by the Sea
1964 – The Victors (European version)
1967 – December Playboy
1968 – The Wicked Dreams of Paula Schultz
1970 – The Invincible Six
1970 – September Playboy
1973 – Die Reise Nach Wien
1973 – Lisa and the Devil
1975 – The House of Exorcism
“House” is a recut – same nude scenes
1974 – Einer von uns Beiden
1978 – I Miss You, Hugs and Kisses
1979 – A Nightingale Sang in Berkeley Square
So we got full-frontal nudity from the single person we LEAST wanted to see naked (John Lithgow in Jimpa) —- now who do we MOST want to see? Who is the current Holy Grail?
An overview of the results.
Four of the people on the list are special cases. There is probably little chance we will ever see Taylor Swift naked. I suspect Milana’s vote is ballot-stuffing, although she is an internet darling and I voted for her myself, and that was sincere. She would be my wish. Also, both of them are pushing 40, and are really outside of the discussion of “beautiful young actresses we would like to see naked.”
I’m also going to boot Sweeney and Elle Fanning off the list, since they have done quite a bit of nudity, albeit not full-frontal.
That leaves us with a list of the up-and-coming Hollywood generation, and it shakes out like this:
Sadie Sink
Zendaya
Anya-Taylor Joy
Hailee Steinfeld
Jenna Ortega
Olivia Rodrigo
Chase Infiniti
Inde Navarrette
McKenna Grace
Thomasin McKenzie
Millie Bobbie Brown
I think that’s the list of those who would automatically win “nude scene of the year” with a full-frontal, or even if they came close.
The next nine names on the list bring it up to a solid “Top 20.”
Kiernan Shipka
Milly Alcock
Rachel Pizzolato
Livvy Dunne
Cailee Spaeny
Grace Caroline Currey
Maisee Williams
Alexa Bliis
Dakota Fanning
You can dispute the order of preference, but I feel comfortable with those two groups, although I would have added Rachel Zegler (who barely beat Dame Judi Dench) to group two, and I feel that some on the list, like Dakota Fanning and Maisee Williams are at the stage where they have to strike while the iron is hot.
One thing I learned from this: Sadie Sink is really, really popular! Respect to any woman that men would rather gaze at than Sydney Sweeney.
On a personal note: Somebody, please hire Milana and give her a nude scene while everything is still in place!
(Who would you most like to see do a full-frontal nude scene?)
Of course he is best known as Professor X and Captain Picard, and is esteemed for his work in high-brow theater, but we old farts first noticed him as the cruel, hard Sejanus in the BBC’s “I, Claudius.” It was hard to ignore the power of that voice. That was 50 years ago!
As usual, Variety did an excellent obit.
He is the second Star Trek icon to pass this week. Walter Koenig (Chekov) died at age 90 on October 25.
Italian drama. Original title: Noi, un po’ meglio. (“We, a little better.”)
At the center of the story is a couple with their contradictions and a desire for family that doesn’t arise at the same time or immediately take the same form. Simon and Lucia (Maria Chiara Giannetta) meet in far from ordinary circumstances. She’s been involved in a car accident, he’s the firefighter who comes to her aid. From that meeting, a relationship is born that, over the years, finds its own balance between different personalities and expectations.
Simon is attached to the idea of family and seeks stability as a point of reference. Lucia, on the other hand, defends her independence, resents convention, and has never wanted to become a mother. Their differences don’t impede their relationship, but permeate it: they surface in conversations, in everyday choices, and in the compromises necessary to continue choosing each other. When the couple is faced with the possibility of adopting a child, their balance is tested. The adoption journey leads Simone and Lucia to question the reasons for their desire, their respective fears, and the very idea of family they have built over time.
Reviewer Dennis Schwartz wrote:
The listless Jack works at an unsatisfying menial job in a Bronx pet shop. He comes under the influence of Alejandro, who does drugs and has his life spiral out of control. Alejandro romantically seduces Jack and convinces him to help burglarize a wealthy housewife. ———
It’s a disappointing drama that never becomes a compelling character study about the two lost souls with ”daddy issues,” who have chosen to be on a bad trajectory despite their supposed privileged lives. And since they are both unlikable, their story elicits no sympathy. It’s a wannabe underground indie film from 1970s (think Andy Warhol) that tries to stir things up but shoots itself in the foot with such an unappealing story.
Speaking of great 1982 nudity. (Adam brought this up in a Jamie Lee Curtis thread.)
Of all the great, well-known nude scenes, this is the one with the worst representation. The American version cut out the nudity. The European theatrical version, which has all the nudity, has never been issued in digital media. I think I did as good a job as anyone has ever done on these scenes, which is to say that my captures suck, but don’t suck as hard as the others I’ve seen. I made these in 2006 from a dubbed standard-definition broadcast on Italian TV – which means it was about the same quality as a below-average DVD. And that’s still better than anything else I’ve found.
I would love to see these in Blu-Ray quality. But this is all I have:
I also let AI take a shot at enlarging them. Mixed results
The best video I have, which stinks.
Also in the Amazing year of 1982:
Nastassja Kinski in Cat People