Horror anthology from Denmark. Original title: Yndige Mennesker
Four eerie tales re-imagine H.C. Andersen’s stories as a chilling anthology, where lost souls confront fate, love, and the darkness lurking beneath the surface.

I’ve always found Hans Christian Andersen to be a fascinating character. He ranks with J.M. Barrie, Lewis Carroll and a few others as the most eccentric literary gods in the pantheon of modern world literature.
A few examples:
* The same outsized imagination that made him a great storyteller also made him paranoid and a hypochondriac. He constantly articulated that he was dying from trivial things. A slight morning dizziness or a throat-clearing cough meant he was dying of consumption. Every splinter meant a life-threatening infection was about to set in. He traveled with a rope because he feared being trapped by a hotel fire.
* A visit to his literary hero, Charles Dickens, turned out to be a disaster. Andersen was expected for roughly two weeks, stayed five, and after he departed Dickens famously noted that those five weeks had seemed to the family like “ages.”
* Dickens was not the only one who came to dread the sight of Andersen. Hans had a habit of showing up at acquaintances’ houses unannounced and forcing them to sit through dramatic readings of his latest work, whether they wanted to or not.
* He frequently accompanied friends to brothels in Denmark or abroad, but he would only sit and chat with the sex workers rather than engage in physical acts. In Paris in 1867, Andersen actually recorded going into a brothel, paying twelve francs, talking to a woman, and leaving, pleased that he had not “sinned in action.” He was fascinated by sex, but appears to have been too terrified to try it. Biographical and diary evidence strongly indicates that Andersen died a lifelong virgin, never having consummated a physical relationship with anyone.
* He would break into histrionic weeping when his behavior or his works were criticized.
The peculiarities are more than celebrity trivia. Andersen spent much of his life desperately wanting to belong while feeling that he never quite did — precisely the emotional territory to which his greatest stories return again and again. Despite the fact that he was such an awkward man, an outsider in every crowd, his stories are known and beloved throughout the world, have been translated into more than a hundred languages, and are embedded in the cultural vocabulary of much of the world. Pretty much everyone in Europe, the New World, and all the English-speaking nations, through reading or osmosis, has assimilated (sanitized versions of) the stories of “The Ugly Duckling,” “The Emperor’s New Clothes,” and many other Andersen tales. At the time of his death, Andersen was internationally revered, and the Danish government paid him an annual stipend for being a “national treasure.” He and his works are now viewed as symbols of Denmark itself.







