A great comedy bit from Amazon Women on the Moon (1987). David Alan Grier did a great job at singing the whitest songs ever written. The premise behind it was a benefit to support the cure for the black people who were tragically born without soul. John Landis, director of Animal House, created the segment.

TRIVIA: How did David Alan Grier learn to be so white? He has a Master’s degree from Yale where he studied Shakespeare, and presumably, had ample opportunity to study white people in their natural habitats, like Sunday brunches, yard sales, antiquing, and performing in barbershop quartets.

I wonder whether he was a Wiffenpoof, possibly the whitest thing in human history.

I haven’t thought about her in years. She looks good at 43.

After a couple of years of inactivity, she has suddenly re-emerged in a new TV film and a new series.

There’s not much to it. Two sexy girls go on a bank robbing binge. It’s a typical drive-in film from the seventies, a weak, corny film, but with quite a bit of nudity and a great poster!

Claudia’s real name was “Mimi” Chesterton, and she grew up in Milwaukee. She had a busy career in Playboy magazines and drive-in flicks, but died tragically young (29) in a road accident on the PCH near Malibu. Here is her obit.

Mini-bio from IMDb:

Claudia took a job as a receptionist at the offices of Playboy magazine in September 1968. Photographer Pompeo Posar asked her to test, and with a potential $5,000 check at stake — enough for a ticket to Hollywood — she agreed. She eventually appeared as a Playmate in November 1969, and later as 1970 Playmate of the Year. Re-naming herself Claudia Jennings to avoid family embarrassment due to posing in the nude, she became the most perennially popular Playmate of the 1970s, as well as the number one female star of “Drive-In” movies

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From the comment section:

I’m the uploader for the first episode. ——– Here is the link for the second episode. Here, Márkus Luca portrays Monique Covet.

Relating to the first episode:

Zsanett Egerhazy never did a boy-girl scene, only lesbian or solo. I think Bernadett Szűcs portrays Deborah Wells.

He’s correcting my ID, not of the actress, but of the character she was playing. Since the character is called Zsanett, I assumed (incorrectly, it seems) that it was supposed to be pornstar Zsanett Egerhazy.

A thoughtful sci-fi film from Spain, but in English.

In a near-future world, a lonely, physically challenged man purchases a companion robot to escape his isolation, but his own insecurities and a jealous brother threaten his chances of ever finding love.

While that plot description is not inaccurate, it is misleading. It leads you to think that the film is either an exploitational thriller or a weird form of rom-com. It is neither. Its characters are nuanced, and it is a thoughtful look at situations that may face us in the very near future.

The world is full of lonely, isolated and insecure people who have never met that “soul-mate” they have dreamed of. Enter the AI chatbots. They are programmed to please us, and to make entertaining and insightful conversation about topics that interest us. Those forms of stimulation are not easy to get from a human companion, so even in today’s world, people think they are in love with a chatbot, even though it is an artificial consciousness with no corporeal presence. I understand that. I often have “conversations” with the AI programs, and I can easily forget, if only momentarily, that they are not real.

Now place yourself into the near future, with the AI chatbots have been exponentially improved, and are available in the incarnation of a completely lifelike woman of spectacular beauty. Would men have sex with them? We know that the answer to that is “yes,” because people now have sex with various “dolls” and devices that are not at all lifelike. The greater question is whether people would “fall in love” with them and prefer them to a human companion. The answer to that is probably “yes” as well – not for every human, but for a vast number, as evidenced by the way some people bond with chatbots today. The assumption is that the human-AI bond will become even stronger when AI’s are both more sophisticated than today, and capable of inhabiting a lifelike and beautiful human form.

That is the situation this film deals with, and takes one step further. What happens when the AI presence, like any form of artificial intelligence, continues to learn from its interactions with humans? Will it continue its mission to serve humans, or will it develop its identity and learn to seek what pleases itself rather than its “parents,” just as real humans inevitably do.

The film demonstrates that, given a good premise, professional photography and editing, and a reasonably competent cast, one can create a pretty good film with almost no budget.

On the nudity front, Agathe Levi is so beautiful that it’s hard so convince oneself that she is, in fact, just a normal human actress, rather than a robot designed to be perfect.

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Julianne Hough nipple slip as she poses in a revealing dress on the red carpet at The 79th Annual Tony Awards in New York City on June 7, 2026!

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Danica is a very tall Danish actress, now 40 years old. She was born in Serbia, but her family was ejected because they didn’t have enough “C’s” in their last name. The Serbian constitution requires that more than half of the letters must be “C.” You’d think the authorities would cut her family some slack since they had exactly 50%, but the Serbs are a strict people.

Kidding aside, she is completely Danish, and is considered one of Denmark’s very best actresses. She presumably has no memory of Serbia since her family moved to Copenhagen was she was 1.

She has quietly built a pretty impressive nudography. With at least 12 nude scenes and 9 Robert nominations (Danish academy awards), she is one of the leading Danes on our career list. She is still adding to that number, with her most recent scene coming this year.

Danica’s most unusual and most naked role was not in a film, but on stage in “Lort” in Jan/Feb of 2015. It’s a one-character play in which she delivered a 75-minute monologue while completely naked.

All videos are here.

Aboard a high-speed train, a Nun who lost her faith must perform her first Exorcism on a possessed passenger hellbent on crashing the runaway train.

Sounds awful? Based on the 3.5 rating at IMDb, it’s approximately as good as it sounds. I was surprised to see William H. Macy in this. He is probably doing somebody a favor.

We are supposed to think that Katie is naked. She doesn’t really appear to be, but it’s close enough to look at!

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She has done at least a brief topless peek in every episode, although none of the scenes have been especially memorable.