Given that she’s gorgeous, I asked AI to take a shot at the two scenes where we have her face and some nudity in the same frame.
The images from Montenegro (1981) ware unsatisfactory. We just don’t have enough definition to work with. The AI picture was pretty slick, but it was impossible to make out Anspach’s face in the original, so AI took a guess that looked nothing like her. I then fed in a facial close-up of Anspach from IMDb, and asked the AI to use that. The result was better, but still unsatisfactory (see here). I repeated the experiment with a second AI, got worse results, and gave up.
The scene from Into the Fire (1987) was another story, which demonstrates how inconsistent AI results can be. Vireel 4.0 delivered a gorgeous, photo-realistic image in one pass.
So it goes.

























