Brooks Nader is pictured at Jeff Bezos and Lauren Sánchez’s Met Gala pre-party in New York City on Saturday, May 2. She is no stranger to see-through outfits, but I think she has outdone herself this time.

Previous appearances by Brooks Nader

Here are the published images from the series

From the comment section:

If you’re still faking Canadian identity, you should also grab the HD version of Sook-Yin Lee’s freshly waxed vagina in Toronto Stories that’s also available to rent.

She also just posted on Instagram a still image of her infamous last appearance on MuchMusic when she mooned the camera. She says the full clip will be in a new documentary about the CN Tower. A true Canadian treasure.

Sook-Yin Lee is a Toronto legend. I haven’t tracked down the HD clip of Toronto Stories yet, but here is the 2008 scene he is talking about.

That was tame stuff compared to her performance in Shortbus (2006). This is not considered a porn film, but it ticks off a lot of the boxes

She looked like this in her first nude scene in The Art of Woo in 2001. (Originally with a blue filter, which you can see in the video below.)

My guess is that the real colors looked something like this:

And, for the sake of completeness, here is the (2001) mooning scene linked above:

Videos. (Shortbus is the only one I have with HD videos. I’ll look for Toronto Stories when I have a chance.)

Spanish drama:

In 1918, Castelao left his civil service position to work as a doctor in Rianxo during the Spanish flu. A hero to the people, but absent to his wife. In 1929, the couple toured Brittany a few months after the loss of their only son.

That summary didn’t inspire me to watch the film, especially the 1929 portion, but Johnny Moronic has the videos on his site.

Sample:

Video

Posted on Twitter today

Kathleen’s acting career began almost accidentally, when George Lucas came to her high school to cast extras for American Graffiti. She ended up with one line and her first screen credit. Not too many years later, at age 22, she was nominated for a Golden Globe for her leading role as a mental patient in I Never Promised You a Rose Garden (1977).

She did some nudity in her 20s, usually as a sensitive, often naive character with perfect diction. She even did a brief frontal scene in Sunday Lovers (1980). After her extended spa scene in The Last Winter (1983), she went nearly a decade with no nudity, and it seemed that part of her career was finished. She surprised everyone by emerging in her famous “fuck me, rock god” role in The Doors (1991), as the uninhibited, hard-nosed, hard-partying rock journalist Patricia Kennealy. (The real Kennealy said that the characters and incidents bore no resemblance to herself or her experiences.)

That was really the end of her nudography, except for two minor moments. While never naked, she appeared in a thong in Trial By Jury (1994). She then did a shower scene in Apollo 13 (1995) that seems to contain a nipple. That nipple can’t be seen in real time, but is there if you pause at exactly the right frame. Maybe.

All videos

Now with captures and videos. I finally found this thing, but I had to spoof a Canadian IP. It was available on YouTube for rent or purchase. It may be available to Canadians elsewhere as well, but YouTube just happened to be the first place I found it, because Google’s AI pointed to it when I dialed into Canada and asked how to view it. If you try to access the very same URL without a Canadian IP, it simply says “This video is not available.”

Canadian drama.

A Chinese immigrant mother in Montreal breaks from duty and tradition when she falls for a young Québécoise woman, leading her to confront questions of identity and freedom.

Joan Chen is a senior citizen (65), but looks the same as ever.

Videos

Additional captures

Phun has a very long video (721 meg) from this film, covering many additional scenes, but no additional nudity that I know of.

Of course, we aren’t usually looking at her face.

Videos

Previous episodes and show info.

This is a French/American co-production, a drama filmed on location in Paris.

IMDb: 6.2
Tomato Meter: 64%

It was panned by both Variety and The Hollywood Reporter, but their reviewers are male, and this is a picture made by a woman for women.

The official blurb:

Set during the frenzy of Paris Fashion Week, three women’s lives intersect in Paris, Maxine, a filmmaker in her forties who discovers she has breast cancer and is drawn into an unexpected connection with a familiar collaborator; Ada, a fresh face in modeling, escaping a predetermined future back home in South Sudan; and Angèle, a makeup artist working in the shadows of the catwalks. As their paths cross, the film reveals the quiet resilience beneath the surface of public performance and honors the unspoken solidarity shared among these women across professions, cultures, and continents.

I’m not so sure I would have used the word “frenzy” in a review of this film. It is used correctly, but it sort of implies that the frenzy of Fashion Week is somehow reflected here. It is, but only briefly, and only to provide contrast. The focus is the most lugubrious possibilities of real life, like cancer, or life in South Sudan, in contrast to the shallow, frenzied self-importance of fashion. It is a very low-energy film, filled with quiet, sincere conversations and solemn reflections. Even the sex is sad. It’s as if they told Winnie the Pooh’s story from Eeyore’s perspective, set to Rachmaninoff’s “Isle of the Dead.”

I’m not saying it’s a poor movie. I think the Tomato and IMDb scores accurately reflect its merit, but I would say that you should be aware before watching it that it is a slow, sad character study, and you are more likely to appreciate it if you possess a minimum of one vagina.

Trivia:

Couture is the first fictional film allowed to be shot inside Chanel’s Paris showroom and atelier. Director Winocour was given special access to the brand’s fashion shows and behind-the-scenes work, including time with the seamstresses and other workers. However, all brand logos had to be removed from the screen.

That last scene actually looked better in the screener:

Videos

SIDEBAR: We all know that Angelina Jolie is one of the most beautiful women on the planet. She was still spectacular in this film, at 50

But since she did this film, she has done something strange with her appearance.